Cardinal Ratzinger on the Logos

"Christianity must always remember that it is the religion of the Logos. It is faith in the Creator Spiritus, (Creator Spirit), from which proceeds everything that exists. Today, this should be precisely its philosophical strength, in so far as the problem is whether the world comes from the irrational, and reason is not, therefore, other than a 'sub-product,' on occasion even harmful of its development, or whether the world comes from reason, and is, as a consequence, its criterion and goal. The Christian faith inclines toward this second thesis, thus having, from the purely philosophical point of view, really good cards to play, despite the fact that many today consider only the first thesis as the only modern and rational one par excellence. However, a reason that springs from the irrational, and that is, in the final analysis, itself irrational, does not constitute a solution for our problems. Only creative reason, which in the crucified God is manifested as love, can really show us the way. In the so necessary dialogue between secularists and Catholics, we Christians must be very careful to remain faithful to this fundamental line: to live a faith that comes from the Logos, from creative reason, and that, because of this, is also open to all that is truly rational." 

Joseph Cardinal Ratzinger, 1 April 2005.

Ratzinger on Liturgical Dancing

Liturgical dancing group for girls, at Sacred Heart Cathedral, New Castle, Australia (May 2014).

Dancing is not a form of expression for the Christian liturgy. In about the third century, there was an attempt in certain Gnostic-Docetic circles to introduce it into the liturgy. For these people, the Crucifixion was only an ap­pearance. Before the Passion, Christ had abandoned the body that in any case he had never really assumed. Danc­ing could take the place of the liturgy of the Cross, be­cause, after all, the Cross was only an appearance. The cultic dances of the different religions have different pur­poses—incantation, imitative magic, mystical ecstasy— none of which is compatible with the essential purpose of the liturgy of the “reasonable sacrifice”. It is totally absurd to try to make the liturgy “attractive” by introducing dancing pantomimes (wherever possible performed by professional dance troupes), which frequently (and rightly, from the professionals’ point of view) end with applause. 

Wherever applause breaks out in the liturgy because of some human achievement, it is a sure sign that the essence of liturgy has totally disappeared and been replaced by a kind of religious entertainment. Such attrac­tiveness fades quickly—it cannot compete in the market of leisure pursuits, incorporating as it increasingly does various forms of religious titillation. I myself have expe­rienced the replacing of the penitential rite by a dance performance, which, needless to say, received a round of applause. Could there be anything farther removed from true penitence? Liturgy can only attract people when it looks, not at itself, but at God, when it allows him to enter and act. Then something truly unique happens, beyond competition, and people have a sense that more has taken place than a recreational activity. None of the Christian rites includes dancing.  [The Spirit of the Liturgy, (SF, CA: Ignatius, 2000), p. 198]