
Modern theories of art think in terms of a nihilistic kind of creativity. Art is not meant to copy anything. Artistic creativity is under the free mastery of man, without being bound by norms or goals and subject to no questions of meaning. It may be that in such visions a cry for freedom is to be heard, a cry that in a world totally in the control of technology becomes a cry for help. Seen in this way, art appears as the final refuge of freedom. True, art has something to do with freedom, but freedom understood in the way we have been describing is empty. It is not redemptive, but makes despair sound like the last word of human existence. This kind of creativity has no place within the liturgy. The life of the liturgy does not come from what dawns upon the minds of individuals and planning groups. On the contrary, it is God’s descent upon our world, the source of real liberation. He alone can open the door to freedom. The more priests and faithful humbly surrender themselves to this descent of God, the more “new” the liturgy will constantly be, and the more true and personal it becomes. Yes, the liturgy becomes personal, true, and new, not through tomfoolery and banal experiments with the words, but through a courageous entry into the great reality that through the rite is always ahead of us and can never quite be overtaken.
Cardinal Ratzinger, The Spirit of the Liturgy, (SF, CA: Ignatius, 2000), p. 170
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